000			01885 a2200325 4500
001			OB-ifra-3145
003			FrMaCLE
005			20251214082643.0
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020			_a979-10-92312-57-7
024	7		_a10.4000/books.ifra.3145 _2doi
040			_aFR-FrMaCLE
041			_aeng
100	1		_aFourchard, Laurent
245	1	0	_aModern history of visual art in Southern Nigeria / _cLaurent Fourchard.
260			_aIbadan : _bIFRA-Nigeria, _c2022.
300			_av-83 p.
500			_aEbook
520			_a This books takes into consideration the changes that have occurred within the visual art landscape in Nigeria during the 20th century. This historical change is the result of new cultural exchanges between Africa, Europe and America, exchanges that developed different artistic practices and promoted new patrons. In this framework, cities have played a fundamental role in the development of modern art, especially because of the presence of a local or international art market. All the chapters of this book are related to specific Southern Nigerian cities: some are places of ancient royal art patronage (bronze casting in Benin City), some are city market where various popular expression of art could have developed (calendar in Onitsha), a few are strictly university based (Nsukka) but most of them have welcome elements of artistic lineages scattered all over Nigeria (the Fákéye family for instance).
540			_aOpenEdition Books License _uhttps://www.openedition.org/12554
650		4	_aFolklore
650		4	_aCultural studies
650		4	_aart galleries
650		4	_aLagos
650		4	_aNigerian ARt
650		4	_aSouthern Nigeria
776			_z978-978-8025-06-1
856	4		_eFourchard, Laurent _uhttps://books.openedition.org/ifra/3145 _yModern history of visual art in Southern Nigeria
999			_c6467 _d6467