| 000 | 03086namaa2200685uu 4500 | ||
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| 001 | oapen88120 | ||
| 003 | oapen | ||
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| 014 |
_a1425203312 _bOCoLC |
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| 020 | _a9781003311690 | ||
| 020 | _a9781032025940 | ||
| 020 | _a9781032106656 | ||
| 024 | 7 |
_a10.4324/9781003311690 _2doi |
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| 035 | _a(OCoLC)1425203312 | ||
| 040 |
_aoapen _coapen |
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| 041 | 0 | _aeng | |
| 042 | _adc | ||
| 072 | 7 |
_aA _2thema |
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| 072 | 7 |
_aAV _2thema |
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| 072 | 7 |
_aAVA _2thema |
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| 100 | 1 |
_aPrats-Arolas, Ignacio _4aut |
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| 245 | 1 | 0 |
_aCognate Music Theories _bThe Past and the Other in Musicology (Essays in Honor of John Walter Hill) |
| 260 |
_bTaylor & Francis _bRoutledge [Imprint] _c2024 |
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| 300 | _a1 online resource | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 490 | 1 | _aRoutledge Research in Music | |
| 506 | 0 |
_aFree-to-read _fUnrestricted online access _2star |
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| 520 | _aThis volume explores the possibilities of cognate music theory, a concept introduced by musicologist John Walter Hill to describe culturally and historically situated music theory. Cognate music theories offer a new way of thinking about music theory, music history, and the relationship between insider and outsider perspectives when researchers mediate between their own historical and cultural position, and that of the originators of the music they are studying. With contributions from noted scholars of musicology, music theory, and ethnomusicology, this volume develops a variety of approaches using the cognate music theory framework and shows how this concept enables more nuanced and critical analyses of music in historical context. Addressing topics in music from the seventeenth to nineteenth centuries, this volume will be relevant to musicologists, music theorists, and all researchers interested in reflecting critically on what it means to construct a theory of music. | ||
| 540 |
_aOpen licence _0https://oapen.org/article/rights |
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| 546 | _aeng | ||
| 650 | 7 |
_aMusic _2thema |
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| 650 | 7 |
_aThe Arts _2thema |
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| 650 | 7 |
_aTheory of music and musicology _2thema |
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| 653 | _aBaroque music | ||
| 653 | _aClassical music | ||
| 653 | _aCognate music theory | ||
| 653 | _aCriticism | ||
| 653 | _aEarly modern music | ||
| 653 | _aEthnomusicology | ||
| 653 | _aEuropean music history | ||
| 653 | _aHistorically informed performance | ||
| 653 | _aHistorically informed theory | ||
| 653 | _aHistory | ||
| 653 | _aHistory of music theory | ||
| 653 | _aMusic & Visual Arts | ||
| 653 | _aMusic history | ||
| 653 | _aMusic theory | ||
| 653 | _aMusical analysis | ||
| 653 | _aMusical rhetoric | ||
| 653 | _aMusicology | ||
| 653 | _aPhilosophy | ||
| 700 | 1 |
_aPrats-Arolas, Ignacio _4edt |
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| 793 | 0 | _aOAPEN Library. | |
| 856 | 4 | 0 |
_uhttps://library.oapen.org/handle/20.500.12657/88120 _zFree-to-read: OAPEN Library/DOAB: description of the publication _70 |
| 999 |
_c37773 _d37773 |
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