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| 001 | oapen41636 | ||
| 003 | oapen | ||
| 005 | 20251217011859.0 | ||
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| 008 | 240424s2020a||||fo|||||||||0|eng d | ||
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_a1173826640 _bOCoLC |
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| 020 | _a9781138495623 | ||
| 035 | _a(OCoLC)1173826640 | ||
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_aoapen _coapen |
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| 041 | 0 | _aeng | |
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_aA _2thema |
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_aQDH _2thema |
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| 100 | 1 |
_aCull Ó Maoilearca, Laura _4aut |
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| 245 | 1 | 0 | _aThe Routledge Companion to Performance Philosophy |
| 260 |
_bTaylor & Francis _bRoutledge [Imprint] _c2020 |
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| 300 | _a1 online resource | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 506 | 0 |
_aFree-to-read _fUnrestricted online access _2star |
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| 520 | _a"The Routledge Companion to Performance Philosophy is a volume of especially commissioned critical essays, conversations, and collaborative, creative and performative writing mapping the key contexts, debates, methods, discourses and practices in this developing field. Firstly, the collection offers new insights on the fundamental question of how thinking happens: where, when, how and by whom philosophy is performed. Secondly, it provides a plurality of new accounts of performance and performativity - as the production of ideas, bodies and knowledges in the arts and beyond. Comprising texts written by international artists, philosophers and scholars from multiple disciplines, the essays engage with questions of how performance thinks and how thought is performed in a wide range of philosophies and performances, from the ancient to the contemporary. Concepts and practices from diverse geographical regions and cultural traditions are analysed to draw conclusions about how performance operates across art, philosophy and everyday life. The collection both contributes to and critiques the philosophy of music, dance, theatre and performance, exploring the idea of a philosophy from the arts. It is crucial reading material for those interested in the hierarchy of the relationship between philosophy and the arts, advancing debates on philosophical method, and the relation between Performance and Philosophy more broadly." | ||
| 540 |
_aOpen licence _0https://oapen.org/article/rights |
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| 546 | _aeng | ||
| 650 | 0 |
_aPerforming arts _xPhilosophy. |
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| 650 | 6 |
_aArts du spectacle _xPhilosophie. |
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| 650 | 7 |
_aperforming arts (discipline) _2aat |
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| 650 | 7 |
_aPERFORMING ARTS / General _2bisacsh |
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| 650 | 7 |
_aPerforming arts _2thema |
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| 650 | 7 |
_aPerforming arts _xPhilosophy _2fast |
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| 650 | 7 |
_aPhilosophical traditions and schools of thought _2thema |
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| 650 | 7 |
_aPHILOSOPHY / General _2bisacsh |
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| 650 | 7 |
_aPHILOSOPHY / Movements / General _2bisacsh |
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| 650 | 7 |
_aPhilosophy and Religion _2thema |
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| 650 | 7 |
_aPhilosophy _2thema |
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| 650 | 7 |
_aThe Arts _2thema |
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| 650 | 7 |
_aTheatre studies _2thema |
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| 653 | _aacademia in performance | ||
| 653 | _aactors | ||
| 653 | _aAnna Seitz | ||
| 653 | _aatmosphere | ||
| 653 | _aaudience | ||
| 653 | _adramaturgy | ||
| 653 | _aJörg Holkenbrink | ||
| 653 | _aperformance | ||
| 653 | _aperformance studies | ||
| 653 | _apractice | ||
| 653 | _astage | ||
| 653 | _atheory | ||
| 700 | 1 |
_aCull Ó Maoilearca, Laura _4edt |
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| 700 | 1 |
_aLagaay, Alice _4edt |
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| 793 | 0 | _aOAPEN Library. | |
| 856 | 4 | 0 |
_uhttps://library.oapen.org/handle/20.500.12657/41636 _zFree-to-read: OAPEN Library/DOAB: description of the publication _70 |
| 999 |
_c37626 _d37626 |
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