<?xml version="1.0" encoding="UTF-8"?>
<record
    xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
    xsi:schemaLocation="http://www.loc.gov/MARC21/slim http://www.loc.gov/standards/marcxml/schema/MARC21slim.xsd"
    xmlns="http://www.loc.gov/MARC21/slim">

  <leader>01761    a2200325   4500</leader>
  <controlfield tag="001">OB-obp-156</controlfield>
  <controlfield tag="003">FrMaCLE</controlfield>
  <controlfield tag="005">20251214082529.0</controlfield>
  <controlfield tag="007">cu ||||||m||||</controlfield>
  <controlfield tag="008">121219e||||||||xx |||||s|||||||||0|en|d</controlfield>
  <datafield tag="020" ind1=" " ind2=" ">
    <subfield code="a">978-1-906924-05-8</subfield>
  </datafield>
  <datafield tag="040" ind1=" " ind2=" ">
    <subfield code="a">FR-FrMaCLE</subfield>
  </datafield>
  <datafield tag="041" ind1=" " ind2=" ">
    <subfield code="a">eng</subfield>
  </datafield>
  <datafield tag="100" ind1="1" ind2=" ">
    <subfield code="a">Kolker, Robert Phillip</subfield>
  </datafield>
  <datafield tag="245" ind1="1" ind2="0">
    <subfield code="a">Altering Eye :</subfield>
    <subfield code="b">Contemporary International Cinema /</subfield>
    <subfield code="c">Robert Phillip Kolker.</subfield>
  </datafield>
  <datafield tag="260" ind1=" " ind2=" ">
    <subfield code="a">Cambridge :</subfield>
    <subfield code="b">Open Book Publishers,</subfield>
    <subfield code="c">2012.</subfield>
  </datafield>
  <datafield tag="300" ind1=" " ind2=" ">
    <subfield code="a">326 p.</subfield>
  </datafield>
  <datafield tag="500" ind1=" " ind2=" ">
    <subfield code="a">Ebook</subfield>
  </datafield>
  <datafield tag="520" ind1=" " ind2=" ">
    <subfield code="a"> The Altering Eye covers a "golden age" of international cinema from the end of WWII through to the New German Cinema of the 1970s. Combining historical, political, and textual analysis, Kolker develops a pattern of cinematic invention and experimentation from neorealism through the modernist interventions of Jean-Luc Godard and Rainer Werner Fassbinder, focusing along the way on such major figures as Luis Bu&#xF1;uel, Joseph Losey, the Brazilian director Glauber Rocha, and the work of major Cuban filmmakers. Kolker&#x2019;s book has become a much quoted classic in the field of film studies providing essential reading for anybody interested in understanding the history of European and international cinema. This new and revised edition includes a substantive new preface by the author and an updated bibliography.</subfield>
  </datafield>
  <datafield tag="540" ind1=" " ind2=" ">
    <subfield code="a">CC-BY-NC-ND-4.0</subfield>
    <subfield code="u">https://creativecommons.org/licenses/by-nc-nd/4.0/</subfield>
  </datafield>
  <datafield tag="650" ind1=" " ind2="4">
    <subfield code="a">Art</subfield>
  </datafield>
  <datafield tag="650" ind1=" " ind2="4">
    <subfield code="a">Film Radio Television</subfield>
  </datafield>
  <datafield tag="650" ind1=" " ind2="4">
    <subfield code="a">cinema</subfield>
  </datafield>
  <datafield tag="650" ind1=" " ind2="4">
    <subfield code="a">theory and criticism</subfield>
  </datafield>
  <datafield tag="650" ind1=" " ind2="4">
    <subfield code="a">narrative film</subfield>
  </datafield>
  <datafield tag="650" ind1=" " ind2="4">
    <subfield code="a">New Wave</subfield>
  </datafield>
  <datafield tag="650" ind1=" " ind2="4">
    <subfield code="a">neo-modernism</subfield>
  </datafield>
  <datafield tag="776" ind1=" " ind2=" ">
    <subfield code="z">978-1-906924-04-1</subfield>
  </datafield>
  <datafield tag="856" ind1="4" ind2=" ">
    <subfield code="e">Kolker, Robert Phillip</subfield>
    <subfield code="u">https://books.openedition.org/obp/156</subfield>
    <subfield code="y">Altering Eye</subfield>
  </datafield>
  <datafield tag="999" ind1=" " ind2=" ">
    <subfield code="c">692</subfield>
    <subfield code="d">692</subfield>
  </datafield>
</record>
