02933    a2200505   4500001001200000003000800012005001700020007001500037008004000052020002200092040001500114041000800129100002200137245013600159260005800295300001100353500001000364520147700374540006501851650000801916650002601924650001901950650002401969650002601993650001402019650001202033650001402045650001402059650002002073650002102093650001202114650001302126650002102139650001902160650002002179650001702199650001802216650002302234650001602257650001602273650001702289700001802306776002202324856008102346OB-ceup-637FrMaCLE20251214082601.0cu ||||||m||||130122e||||||||xx |||||s|||||||||0|en|d  a978-615-5211-43-0  aFR-FrMaCLE  aeng1 aSarkisova, Oksana10aPast for the Eyes :bEast European Representations of Communism in Cinema and Museums after 1989 /cOksana Sarkisova, Péter Apor.  aBudapest :bCentral European University Press,c2013.  a436 p.  aEbook  a How do museums and cinema shape the image of the Communist past in today’s Central and Eastern Europe? This volume is the first systematic analysis of how visual techniques are used to understand and put into context the former regimes. After history “ended” in the Eastern Bloc in 1989, museums and other memorials mushroomed all over the region. These efforts tried both to explain the meaning of this lost history, as well as to shape public opinion on their society’s shared post-war heritage. Museums and films made political use of recollections of the recent past, and employed selected museum, memorial, and media tools and tactics to make its political intent historically credible. Thirteen essays from scholars around the region take a fresh look at the subject as they address the strategies of fashioning popular perceptions of the recent past. "Books on the CEE transformations that deal with media and popular cultures should be welcomed. Past for the Eyes belongs to this extraordinary breed. The book is devoted to the visual representations of the socialist / communist past and the forms they took. The interconnected processes of visualization of the past, and the collective memory sedimentation are the main focus. The book brings together perspectives of linked but still distinctive ways of enquiry: visual studies, cultural studies, area studies, museum studies and contemporary history with its passion for ethnography and oral evidence.  aOpenEdition Books Licenseuhttps://www.openedition.org/12554 4aArt 4aFilm Radio Television 4aCentral Europe 4aSoutheastern Europe 4apost-communist period 4apost-1989 4aculture 4acommunism 4apicturing 4amotion pictures 4adocumentary film 4amuseums 4aarchives 4aHungarian cinema 4aRussian cinema 4aYugoslav cinema 4aCzech cinema 4aPolish cinema 4apost-1989 Bulgaria 4aBalkan wars 4aWorld War I 4aWorld War II1 aApor, Péter  z978-963-9776-03-64 eSarkisova, Oksanauhttps://books.openedition.org/ceup/637yPast for the Eyes