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Modern history of visual art in Southern Nigeria / (Record no. 6467)

MARC details
000 -LEADER
fixed length control field 01885 a2200325 4500
001 - CONTROL NUMBER
control field OB-ifra-3145
003 - CONTROL NUMBER IDENTIFIER
control field FrMaCLE
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20251214082643.0
007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION
fixed length control field cu ||||||m||||
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 220127e||||||||xx |||||s|||||||||0|en|d
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 979-10-92312-57-7
024 7# - OTHER STANDARD IDENTIFIER
Standard number or code 10.4000/books.ifra.3145
Source of number or code doi
040 ## - CATALOGING SOURCE
Original cataloging agency FR-FrMaCLE
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title eng
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Fourchard, Laurent
245 10 - TITLE STATEMENT
Title Modern history of visual art in Southern Nigeria /
Statement of responsibility, etc. Laurent Fourchard.
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Place of publication, distribution, etc. Ibadan :
Name of publisher, distributor, etc. IFRA-Nigeria,
Date of publication, distribution, etc. 2022.
300 ## - PHYSICAL DESCRIPTION
Extent v-83 p.
500 ## - GENERAL NOTE
General note Ebook
520 ## - SUMMARY, ETC.
Summary, etc. This books takes into consideration the changes that have occurred within the visual art landscape in Nigeria during the 20th century. This historical change is the result of new cultural exchanges between Africa, Europe and America, exchanges that developed different artistic practices and promoted new patrons. In this framework, cities have played a fundamental role in the development of modern art, especially because of the presence of a local or international art market. All the chapters of this book are related to specific Southern Nigerian cities: some are places of ancient royal art patronage (bronze casting in Benin City), some are city market where various popular expression of art could have developed (calendar in Onitsha), a few are strictly university based (Nsukka) but most of them have welcome elements of artistic lineages scattered all over Nigeria (the Fákéye family for instance).
540 ## - TERMS GOVERNING USE AND REPRODUCTION NOTE
Terms governing use and reproduction OpenEdition Books License
Uniform Resource Identifier <a href="https://www.openedition.org/12554">https://www.openedition.org/12554</a>
650 #4 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Folklore
Topical term or geographic name entry element Cultural studies
Topical term or geographic name entry element art galleries
Topical term or geographic name entry element Lagos
Topical term or geographic name entry element Nigerian ARt
Topical term or geographic name entry element Southern Nigeria
776 ## - ADDITIONAL PHYSICAL FORM ENTRY
International Standard Book Number 978-978-8025-06-1
856 4# - ELECTRONIC LOCATION AND ACCESS
Data provenance Fourchard, Laurent
Uniform Resource Identifier <a href="https://books.openedition.org/ifra/3145">https://books.openedition.org/ifra/3145</a>
Link text Modern history of visual art in Southern Nigeria

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