Cognate Music Theories The Past and the Other in Musicology (Essays in Honor of John Walter Hill)
Prats-Arolas, Ignacio
Cognate Music Theories The Past and the Other in Musicology (Essays in Honor of John Walter Hill) - Taylor & Francis Routledge [Imprint] 2024 - 1 online resource - Routledge Research in Music .
Free-to-read
This volume explores the possibilities of cognate music theory, a concept introduced by musicologist John Walter Hill to describe culturally and historically situated music theory. Cognate music theories offer a new way of thinking about music theory, music history, and the relationship between insider and outsider perspectives when researchers mediate between their own historical and cultural position, and that of the originators of the music they are studying. With contributions from noted scholars of musicology, music theory, and ethnomusicology, this volume develops a variety of approaches using the cognate music theory framework and shows how this concept enables more nuanced and critical analyses of music in historical context. Addressing topics in music from the seventeenth to nineteenth centuries, this volume will be relevant to musicologists, music theorists, and all researchers interested in reflecting critically on what it means to construct a theory of music.
Open licence
eng
9781003311690 9781032025940 9781032106656
10.4324/9781003311690 doi
Music
The Arts
Theory of music and musicology
Baroque music Classical music Cognate music theory Criticism Early modern music Ethnomusicology European music history Historically informed performance Historically informed theory History History of music theory Music & Visual Arts Music history Music theory Musical analysis Musical rhetoric Musicology Philosophy
Cognate Music Theories The Past and the Other in Musicology (Essays in Honor of John Walter Hill) - Taylor & Francis Routledge [Imprint] 2024 - 1 online resource - Routledge Research in Music .
Free-to-read
This volume explores the possibilities of cognate music theory, a concept introduced by musicologist John Walter Hill to describe culturally and historically situated music theory. Cognate music theories offer a new way of thinking about music theory, music history, and the relationship between insider and outsider perspectives when researchers mediate between their own historical and cultural position, and that of the originators of the music they are studying. With contributions from noted scholars of musicology, music theory, and ethnomusicology, this volume develops a variety of approaches using the cognate music theory framework and shows how this concept enables more nuanced and critical analyses of music in historical context. Addressing topics in music from the seventeenth to nineteenth centuries, this volume will be relevant to musicologists, music theorists, and all researchers interested in reflecting critically on what it means to construct a theory of music.
Open licence
eng
9781003311690 9781032025940 9781032106656
10.4324/9781003311690 doi
Music
The Arts
Theory of music and musicology
Baroque music Classical music Cognate music theory Criticism Early modern music Ethnomusicology European music history Historically informed performance Historically informed theory History History of music theory Music & Visual Arts Music history Music theory Musical analysis Musical rhetoric Musicology Philosophy
